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Evanne and her brother run the John Brock Benson Dance Studios, in Pasadena, and have a line of dancers who appear at clubs all over the state. Deane helped the Bill Haley and the Comets song "Rock Around the Clock" become a hit in Baltimore a full year before it became a worldwide success by promoting their music while at WITH. In 1957, Deane was chosen by former WITH associate Joel Chaseman to host "The Buddy Deane Show," a dance show for teenagers on WJZ-TV Channel 13. I was totally star-struck and had as much fun that night as I did at the Cannes Film Festival. My mother wanted me to go, she took me down to the tryouts. By representing this realityin bubble-gum, technicolor clarityHairspray does something that pure documentation, at times, cant: It makes a difficult part of a nations history accessible (and entertaining) to millions of viewers. The big garage-type door they remember would open, and theyd all pile in, past George and Mom, the Pinkerton guards who used to keep attendance, and crowd into Arlenes office to comb their hair, confide their problems, and touch up their make-up. The "Corny Collins Show" in Hairspray is loosely based on the Baltimore teen dance program called the "Buddy Deane Show." One Baltimore woman fought to get black teens on the popular show back in 1958. In 1985 the Committee members are for the most part happy and healthy, living in Baltimore, and still recognized on the street. Buddy Deane. I remember it well, recalls Evanne. I got these letters from the Naval Academy, Helen remembers, so I went there one day, and all the midshipmen were hanging out the windows. The Funtown reference is powerful because it captures one of the ways that Jim Crow segregation and white supremacy played out for children and teenagers. Committee members included Mike Miller, Charlie Bledsoe, Ron Osher, Mary Lou Raines, Pat(ricia) Tacey, and Cathy Schmink. Hairspray, which started as a camp film with a modest $2.7 million budget, grew into a popular and commercially successful Broadway musical and movie. The Corny Collins Show, it turns out, was lifted almost literally from the extremely popular Buddy Deane Show, Baltimore's answer to Dick Clark's American Bandstand. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. Thats what really happened, and the show shut down.. Id get letters saying, If you show up at this particular hop, youre gonna get your face pushed in. Every day Id come to the studio in knee-highs, and Id have to take them off. The Best Picture Race Got a Lot More Confusing This Week, Tom Cruise Made the Rounds This Week, but Other Oscar Nominees Got More Applause Than Top Gun: Maverick, These Oscar Categories Are the Hardest to Predict, Translating the Unconscious Into Images: The Cinematography of Bardo, Poker Face Takes Viewers on a Cross-Country Road Trip Without Leaving New York, Why TR Looks Different from Every Other Movie of 2022, The 50 Best Movies of 2022, According to 165 Critics from Around the World, All 81 Titles Unceremoniously Removed from HBO Max (So Far), 10 Shows Canceled but Not Forgotten in 2022. At her appearances at the record hops, kids would actually scream when youd get out of the car: Theres Mary Lou! Some of the old Committee kept up with the times and made the transition with ease. The racial integration of a take-off of the show, dubbed The Corny Collins Show, provides the backdrop to the 1988 John Waters film Hairspray. [1], As with many other local TV shows, little footage of the show is known to have survived. [citation needed]. So that was all true in a way, in a weird way., The girls hair was higher, the pants were tighter, and in real life it went off the air because they wouldnt integrate it. I took off my steady ring and threw it down. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. I was aggressive. by were the highest rated local TV show in America." Amazingly, Deane's show was aired live, two-and-a-half hours each day on five days a week with three hours on Saturday. Im a typical housewife, says Peanuts. Owing to Deane's mid-South roots and work history, he featured many performers from the ranks of country and western music (e.g., Skeeter Davis, singing "The End of the World" and Brenda Lee singing "Sweet Nothin's"), who then achieved cross-over hits among rock and roll fans. Every weekday afternoon, in each of these broadcast markets, these shows presented images of exclusively white dancers and rendered black youth as second-class teenagers. John Waters with Divine (Harris Glen Milstead) at the Baltimore premiere of Hairspray, Originally, I had it, the idea was Divine was gonna play the mother and the daughter like in The Parent Trap. New Line [Cinema] wouldnt let me, he said. (NWA Media). Black teens were only allowed to dance on the show one day per month. Pancocojams showcases the music, dances, language practices, & customs of African Americans and of other people of Black descent throughout the world. Kings mention of Funtown is preceded by references to lynch mobs, police brutality, and the airtight cage of poverty, and followed by references to hotel segregation and racial slurs. I was really mad. It suggests a way of understanding race that allows viewers to disavow bigotryframed in the story as the belief that white and black Americans should live in separate sphereswithout acknowledging, confronting, or seeking to overturn the actual structures of discrimination. It was very interesting to see my conversation quoted in this article. While he wasnt on the committee, Waters occasionally danced on the show as a guest. This assessment proved true when on Aug. 12, 1963 a group of black and white kids stormed the stage of "The Buddy Deane Show" and danced together. The protesters wanted the races to mix. Do you miss show biz? I ask her. Romance was one thing; sex was another. It was similar to Philadelphia's American Bandstand. For example, consider the comments of members of the "Committee" [the regularly featured White teenagers on that show] about boys having it worse than girls because boys weren't supposed to dance. ' And Evanne still shudders as she recalls, Once I was in the cafeteria. It ran two hours a day, six days a week. But black kids in . Yeah it was Cosenel, says Joe. Deane also played songs that other disc jockeys, including Dick Clark, refused to present to mostly white teen TV audiences because the acts sounded "too black" (e.g. Bill Haley and the Comets did their premier perf of "Rock Around the Clock" on Deane's show, and Deane was named the No. It was a fluke. Just once. Here is the new video celebrating the 60th anniversary of the Buddy Deane Show and the former Catonsville Community College (now CCBC). Hundreds of thousands of teens learned the latest dances by watching Committee members on the show, copying their personal style, and following their life stories and interactions. Buddy: Deane in the 50s when she worked for a record wholesaler and he was the top-rated disc jockey on WITHthe only DJ in town who played rock n roll for the kids. The movie was eventually turned into a musical by the same name. Material from the Associated Press is Copyright 2023, Associated Press and may not be published, broadcast, rewritten, or redistributed. "I remember it well," recalls Evanne. It was hilarious., Some of the rumors were fanned on purpose. Or the Bob-a Loop? Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. Originally known as The Buddy Deane Bandstand, the show first went on the air at 3 p.m. Sept. 9, 1957, and aired for two hours; the show often preceded the Mickey Mouse Club. Its host was Winston "Buddy" Deane (1924-2003), who died in Pine Bluff, Arkansas after . (Special to The Commercial/OzNet.com/ExplorePineBluff.com). I was able after a while to afford some clothes from Lees of Broadway (whose selection of belted coats and pegged pants made it the Saks Fifth Avenue of Deaners). Arguably the first TV celebrities in Baltimore. They would drive me nuts when theyd come in the door, and Id say Man, youre gone. . This Committees committee, under the watchful eye of Arlene, chose new members, taught the dance steps, and enforced the demerit system, which could result in suspension or expulsion. The early look of the Committee was typically 50s. Eating the refreshments (Ameches Powerhouses, the premiere teenage hangouts forerunner of the Big Mac), which were for guests only. I was playing bongos on them in between takes because it was hilarious and he thought it was hilarious and I didnt stop to think, what the hell am I doing?, shared actor Holter Graham, who was 15 years old during filming. MPT did a segment which included interviews with former African American dancers who appeared on the show. Associated Press text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any medium. There are other socio-cultural comments in various YouTube comments threads about the Madison dance. To be selected you had to bring a character reference letter from your pastor, priest, or rabbi, qualify in a dance audition, and show in an interview (the Spotlight) that you had personality. At first the Committee had a revolving membership with no one serving longer than three months. three, two, one. I dont think Ill ever get over missing it, if you want to know the truth., Many of the Committee members spouses faced an even bigger adjustment. The action of the musical takes place in 1962 and centers around Baltimore's teenage obsession with the television program The Corny Collins Show, a stand-in for an actual Baltimore production of the day, The Buddy Deane Show. I was with this guy named Jeff. I was honored, touched by it all.. Linda reverently describes her Committee membership as the best experience I ever had in my life. They later became members of the Permanent Committee, the hall of fame that could come back to dance even after retiring. If you leaned on one side, the next day youd just pick it out into shape. Mr. All Rights Reserved. And the whole concept of the Committee changed. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. That really hit home then., He adde, That scene where Tracy and [Link] are making out outside and the homeless guy walks up the street singing, that is exactly true. . So the rules were bent a little; the big ones, the ones with the fan mail, were allowed to stay. The 1988 John Waters film, newly adapted into an NBC live musical, presents a view of racial discrimination thats by turns nave and enlightening. Both black and white activists picketed the . They kept their figures, look nice, and are very kind people, says Marie in her lovely home on Falls Road before taking off for the University of Maryland, where she attends law school. In my on-going search for African American footage I stumbled across this article in Google. This town just wasnt ready for that. There were threats and bomb scares; integrationists smuggled whites into the all-black shows to dance cheek to cheek on camera with blacks, and that was it. Maybe ''The Buddy Deane Show,'' the teen-dance-party that ran on local television in Baltimore from 1957 to 1964 and inspired ''Hairspray,'' was the only wholesome obsession that ever led to one . producers hope this story of interracial unity will be appealing to television audiences in 2016. ', Although many parents and WJZ insisted that Committee members had to keep up their grades to stay on the show, the reality could be quite different. My heart would have broken in two if I couldnt have gone on. Finally, Helen quit Mergenthaler (Mervo) trade school, at the height of her fame. Why not do The Deane Show on TV again? (There was a token all-black program once a month on the show called "Negro Day" in the movie, a phrase that now drips with surreal period flavor but no black Committee, and the protests called for integrating the show.) On Sept. 13, 1964, he introduced The Beatles before their concert at the Baltimore Civic Center, and a few days later, he and his family moved back to Arkansas. The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . Buddy Deane used to boast that every major rock 'n' roll star of the era appeared on the show, except Elvis Presley and Rick Nelson. It was similar to Philadelphia's American Bandstand. I had to get up there on time. Was it really twenty years ago? I had a lot of black friends at the time, so for me this was an awkward thing, says Marie. One time I was going with this guy, and he was dancing with this guest I didnt like, says Evanne. On the air before Dick Clark debuted, the show was a hit from the beginning, says Arlene today. Even today Gene and Linda are the quintessential Deaner couple, still socializing with many Committee members, very protective of the memory, and among the first to lead a dance at the emotion-packed reunions. So there you have it. On the show you were either a drape or a square, explains Sharon. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the so-called Black Monday). Last spring, five hundred people quickly snapped up the $23 tickets to the third Buddy Deane Reunion, held at the Eastwind, in Essex, to raise money for the Baltimore Burn Center. BLACK MUSIC MOMENT #96: Short-Lived Integration Of The Buddy Deane Show. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (19242003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. Rather than integrating, the show was canceled. Buddy offered to have three or even four days a week all black, but that wasnt it. Then we made up on camera.. sively white show. He wanted me to go to a summer training session to be a trapeze artist. Yet Joe was a dropout when he went on the show and then, once famous, went back to finish. Originally an all-white teen show with a monthly "Negro . Once I was off the show for a while, and they said I had joined the nunnery, says Helen, laughing. The "Buddy Dean Show" was abruptly cancelled. He was one of the first disc jockeys in the area to regularly feature rock and roll. After the screening, he was joined by Michael Musto and original cast membersLeslie Ann Powers (Penny Pingleton), JoAnn Havrilla (Prudence Pingleton), and Holter Graham (I.Q. Some kids on the show went a little nuts, with stars in their eyes; they thought they were going to go to Hollywood and be moviestars.. Mary Lou, the Annette Funicello of the show, was the talk of teenage Baltimore. When Mary Lous husband gave me the long and complicated directions to their home on the phone, he ended with And there you will find, yes, Mary Lou Raines. He later confided that when he first started dating her, he had no idea of her early career. She was one of the chosen few who went to New York to learn how to demonstrate the Madison, and was selected for the exchange committee that represented Baltimores best on American Bandstand. If a guy had one beer, it was a big deal. He was one of the first to showcase rock and roll music on a continual basis. The Stupidity, where you act mentally ill. The Bugs easy, you just catch a disease and throw it to someone else, Waters said. You are history. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. It was called The Waverly Theater back then, and Waters, looking dapper in a purple pinstriped suit, recalled that night as one of the last times he saw his friend and muse Divine before his death. While the rest of the nation grew up on Dick Clarks American Bandstand, (which was not even shown here because Channel 13 already had Buddy Deane), Baltimoreans, true to form, had their own eccentric version. If you were a Buddy Deane Committee member, you were on TV six days a week for as many as three hours a dayenough media exposure to make Marshall McLuhans head spin. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. 2023 IndieWire Media, LLC. Penny nervously stumbles over her answers, and another girl, Nadine Carver, is cut for being Black (the show has a "Negro Day" on the last Thursday of every month, she is told). No! she answers, with a conviction that gives me the chills. Deane even played a small role in the movie, which premiered to moderate success but went on to become a cult classic. 2003. It was a real kick! Her fame even brought an offer to join the circus. That show featured local teens who danced to the. "If you first appeared on The Buddy Deane Show then you could not appear on The Dick Clark Show," Deane said. Almost every rock 'n' roll star except Elvis graced the Deane Show stage. . At frantic meetings of the Committee, many said, My parents simply wont let me come if its integrated, and WJZ realized it just couldnt be done. Although the show has been off the air for more than twenty years, a nearly fanatical cult of fans has managed to keep the memory alive. All the choreography in the movie prior to this was segregated by race, and now its all together, which is a very, very subtle reference to the theme of this movie.. Id hook and have to dance in the back so the teachers couldnt see me, says Helen. Over the next several years, Deane's show became the top-rated local TV show in Baltimore and the highest rated local show in the United States. On Negro day a group of black and white kids staged a similar sneak attack on the Buddy Deane Show. It's not just about police brutality. Some of the local teens who danced on the show became local celebrities and had fans of their own. Or dancing with other Committee members when you were supposed to be dancing with the guests (a very unpopular rule allowed this only every fourth dance). We use cookies to ensure that we give you the best experience on our website. Nationally, American Bandstand blocked black teens from entering the studio during its years in Philadelphia, despite host Dick Clarks claims to the contrary. The producers of Diner wanted to include Buddy Deane footage in their film, but most of the shows were live and any tapes of this local period piece have been erased. My mother used to pick me up after school to make sure nobody hassled me., The adoring fans could also be a hassle. Clip from Shake, Rattle, and Roll: The Buddy Deane Scrapbook Debuting at a mere 11 years of age, taking three buses every day to get to the show, wearing that wonderful white DA (created by her hairdresser father), and causing the first real sensation. It was the top-rated local TV show in Baltimore and, for several years, the highest rated local TV program in the country. WJZ's show aired from 1957 to 1964 and was popular among Baltimore teens, promoting dances like the twist, mashed potato, and the Madison. Also, read the comments in that same excerpt about the series only wanting "attractive" teenagers as featured dancers. American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. Waters grew up with "The Buddy Deane Show" in Baltimore, and modeled his fictitious "Corny Collins Show" after it. And it was not unique: Dick Reids Record Hop in Charleston, West Virginia; Ginny Paces Saturday Hop in Houston, Texas; John Dixons Dixon on Disc in Mobile, Alabama; Bill Sanderss show in Chattanooga, Tennessee; Dewey Phillipss Pop Shop in Memphis, Tennessee; and Chuck Allens Teen Tempo in Jackson, Mississippi, were all segregated dance shows. When Barry Levinson, another Baltimore native, requested video from the show for his film Diner, the station told him it had no footage. Buddy said to me, Well, heres my little girl whos been with me the longest. I hardly ever cried, but I just broke down on camera. And they all came together on the Buddy Deane Show, Baltimore's legendary teen dance show. Most Deaner girls wouldnt even tongue-kiss, claims Arlene, remembering the ruckus caused by a Catholic priest when the Committee modeled strapless Etta gowns on TV. Not show biz, Arlene answers, hesitating, but the record biz, the people. Mary Lou was aware that in some neighborhoods it was not cool to be a Buddy Deaner. http://pancocojams.blogspot.com/2016/03/how-madison-line-dance-got-its-name-and.html, http://pancocojams.blogspot.com/2016/03/al-brown-and-ray-bryant-madison-records.html, https://en.wikipedia.org/wiki/Buddy_Deane_Show, https://en.wikipedia.org/wiki/Hairspray_(2007_film), http://pancocojams.blogspot.com/2015/06/timeline-for-cultural-use-of-saying.html, https://www.washingtonpost.com/entertainment/tv/on-hairsprays-25th-anniversary-buddydeane-committee-looks-back/2013/01/17/a45a1cc2-5c23-11e2-88d0-c4cf65c3ad15_story.html, http://theurbandaily.com/2011/06/01/black-music-moment-96-short-lived-integration-of-the-buddy-deane-show/. maintains the basic of Waterss story, but like the Broadway version and musical film, it features more than a dozen songs that help to convey the hopeful narrative. The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of. In 1948, Deane married Helen Stevenson, his childhood sweetheart, whom he first met when he was just four years old. 'The Buddy Deane Show' was over . From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the . This was an awkward thing, says Helen, laughing, so wrote... Little footage of the Buddy Deane show, Baltimore & # x27 ; s American Bandstand fun night... Except Elvis graced the Deane show, Baltimore & # x27 ; s Bandstand! Look of the big Mac ), who died in Pine Bluff, Arkansas after hilarious., some of car. The car: Theres Mary Lou former African American dancers who appeared on the was... Days a week so the rules were bent a little ; the big ones, the people later. Dancers who appeared on the Buddy Deane show was taken off the show then... 1924-2003 ), which were for guests only Dick Clark debuted, the adoring fans could also a! 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Married Helen Stevenson, his childhood sweetheart, whom he first met when he was dancing with this I! Very interesting to see my conversation quoted in this article, but I just broke down on camera.. white! Gives me the chills Clark debuted, the next day youd just pick it out into shape and. Very interesting to see my conversation quoted in this article in Google and they all came together the... She recalls, once famous, went back to dance on the show for a while, and have! Black MUSIC MOMENT # 96: Short-Lived Integration of the Buddy Deane show taken.

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